Recorded and mixed by Bruno at Onix Studio · Barcelona
These nine records were recently analog re-mastered from the original master on a classic SSL desk and Studer A80 reel-to-reel by Ian Hawgood.
Release date: 20th September 2018 by ad21
1 – InTROworld
2 – InTROmental
3 – InTROsacro
4 – InTROpiano
5 – InTROvoices
6 – InTROvisions
7 – InTROpassion
8 – InTROpolar
9 – InTROsense
Bruno Sanfilippo relaunch and revives his acclaimed album InTRO (2006) as a special remastered & expanded edition on CD and Digital. Available worldwide via ad21 on September 20th.
The album (65:28) contains its seven original soundscapes plus two unreleased; InTROpolar (7:10) and InTROsense (6:11), taken from recording sessions in May 2006.
These nine records were recently analog remastered from the original master by Ian Hawgood. The cover art was redesigned using the original photography of Helyn Davenport.
‘In his nine compositions of imaginary ‘InTROspective’ Sanfilippo explores the interest in the unfettered possibilities of dreams. Its impact is strongly imaginative and cinematic, featuring deep piano interludes, great synthesizer pads, field recordings, soft soaring sound textures and transparent soundscapes’
Initially released in 2006 by Argentinian composer Bruno Sanfilippo, inTRO has been remastered and expanded for a special new release in 2018. Featuring the seven original soundscapes—as well as two new additional tracks—inTRO is a project that gives the opportunity for the composer to make us travel through his exploration of dreams, imagination and self-search. A lot less emotional than some of his previous releases, inTRO seems to want to elevate and invite us to observe and feel introspection.
Each piece contained in inTRO seems to have its own purpose and journey for the listener, contrasting and complementing each other. inTROworld and its dramatic drumming makes us travel to the sandy dunes of the Atlas, while inTROsacro transports us in the Byzantine churches of Orient. inTROmental features hypnotic bells and electronic phasings that plunge the listener in a futuristic dream state of mind, while the contrasting inTROpiano consists of what seems to piano fading musical phrases over a layer of white noises—with a complete absence of feeling of tempo and time allowing the listener to get lost in the music. inTROvoices—much like every piece in inTRO—is based on a drone-like shade of sound that fades in and out giving a sense of motion as much as staticity, while inTROpassion—less abstract—leaves place for more pianistic lyricism from Sanfilippo, retaining the contemplative quality of the composer’s music it also reflects on some of the earlier pieces of the album. inTROvisions is an insight into our perception of music. It is based on an extended melody that keeps stretching as the time goes by tightroping between electronic and acoustic. inTROpolar is another layered piece full of psychedelic colours and pearls of sounds. inTROsenses closes the album on a dramatic organ and daunting echoing voice, slowly bringing the listener back to reality.
The remaster of inTRO has given the project more resonance, space and dimension to Sanfilippo’s textural, nuanced and detailed music. It is another spiritual journey—tinted with oriental spices—and anchored in the artist’s stylistic minimalism and simplicity. There always seems to be a sacro aspect in Sanfilippo’s music—well illustrated in his last release with Dronarivm, Unity—and inTRO is another prime example of his well defined musical voice and identity.
Tome to the Weather Machine
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DRIFTING , ALMOST FALLING
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